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The Indian Express

After Nani acknowledges The Paradise’s flaws, makers get BookMyShow ratings disabled

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The Indian Express

September 28, 2026
After Nani acknowledges The Paradise’s flaws, makers get BookMyShow ratings disabled

Nani's film 'The Paradise' faced a significant 57 percent box office drop on its second day, totaling Rs 98.5 crore globally. Amidst mixed audience reactions and the actor's acknowledgment of criticism, the film's ratings were disabled on BookMyShow.

The Paradise Box Office Turbulence: A Deep Dive

A Sharp Decline in Momentum

The release of the Srikanth Odela-directed action drama The Paradise, starring Nani, has encountered a challenging second day at the box office. After a robust opening day that saw the film rake in nearly Rs 76 crore worldwide, momentum significantly stalled on the second day, with earnings dropping to approximately Rs 22 crore. This brings the current worldwide gross to Rs 98.5 crore. The domestic market performance reflects this volatility, with a 57 percent drop in net collections, yielding only Rs 14.9 crore across 7,000 shows on day two.

The Impact of Audience Sentiment

The film’s commercial performance appears to be tethered to its reception among the viewing public. As audience reactions became increasingly divisive, the film’s star, Nani, took to social media to address the discourse. In a note posted on X, Nani acknowledged the mixed feedback, stating he had seen the reactions and even enjoyed the "hilarious trolls," while simultaneously expressing gratitude for the way the audience had "owned the film." This level of public engagement from a lead actor is rare and highlights the intense scrutiny modern films face in the digital age.

Digital Censorship and Platform Dynamics

Following the surge of negative discourse and audience critique, a notable shift occurred on the ticketing platform BookMyShow. The film’s page now displays "Rating & Review Disabled," effectively removing the public-facing metric that often dictates initial box office trends. This move comes in tandem with a broader legal strategy employed by the filmmakers, who secured a court order in Bengaluru prior to the film's release to restrain the circulation of what they deemed "defamatory content."

Legal Precedents in Film Promotion

The decision to disable ratings and leverage legal channels to combat negative sentiment points to a growing trend in the Indian film industry. By proactively seeking relief against defamatory content, the makers of The Paradise are attempting to control the narrative surrounding their project. However, the removal of public ratings often invites further skepticism from the audience, potentially impacting the long-term credibility of the film's reception.

Future Implications for Indian Cinema

As The Paradise continues its theatrical run, the intersection of box office volatility and digital reputation management will be a key area to watch. The reliance on legal interventions to mitigate social media backlash suggests that production houses are increasingly wary of the power of viral criticism. Moving forward, the industry may see a shift in how films are promoted and how platforms handle the balance between user-generated feedback and the intellectual property rights of the creators.

Conclusion

Ultimately, The Paradise serves as a case study in the modern challenges of film distribution. While the film managed a significant initial gross, the combination of a sharp second-day decline and the controversial removal of reviews underscores the fragile relationship between filmmakers and their audience. The industry will likely continue to debate the ethics of disabling feedback mechanisms while navigating the high-stakes environment of post-release marketing.

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