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The Indian Express

18 hour shifts, paid after 90 days: Actor Sudhir Pandey, 72, says deserves ‘better industry’

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The Indian Express

July 22, 2026
18 hour shifts, paid after 90 days: Actor Sudhir Pandey, 72, says deserves ‘better industry’

Veteran actor Sudhir Pandey has shed light on the systemic issues plaguing the Indian television industry, specifically citing grueling 18-hour work shifts and significant payment delays. His testimony highlights the urgent need for structural reform to protect actors from exploitative working conditions.

The Crisis of Working Conditions in Indian Television

Veteran actor Sudhir Pandey, an industry stalwart with over five decades of experience, has recently voiced strong concerns regarding the deteriorating state of the Indian television industry. Known for his iconic roles in daily soaps like Amanat and Sasural Genda Phool, Pandey’s critique centers on the unsustainable nature of production schedules and the financial instability faced by performers. His public statements serve as a sobering reminder that even seasoned professionals are not immune to the systemic pressures of the modern entertainment landscape.

The Toll of 18-Hour Shifts

At the heart of the controversy is the grueling demand for 14-18 hour work shifts. This relentless pace leaves little room for personal well-being or professional growth outside of a single project. For actors, this is not merely a matter of long hours; it is a total commitment that effectively bars them from participating in other creative ventures, such as film projects. The lack of fixed scheduling—where actors are summoned on short notice—further compounds the stress, creating an environment of constant uncertainty.

Financial Instability and Payment Delays

The issue of payment delays, where actors are reportedly paid only after 90 days, represents a significant structural failure. This 'pay-when-possible' culture places an immense burden on the workforce, forcing actors to endure months of financial insecurity while production houses prioritize other expenditures. Such delays are particularly damaging to the livelihoods of those who rely on consistent income to manage their daily expenses and long-term financial health.

The Deteriorating Industry Environment

Pandey’s observations suggest that the television environment is in a state of decline. The move toward hyper-competitive daily production cycles has seemingly come at the expense of human dignity and professional standards. When an actor with 50 years of experience feels that the industry is no longer conducive to a healthy career, it indicates that the current model is prioritizing output volume over the quality of life for its contributors.

Broader Implications and Future Trends

This debate is part of a growing movement of TV actors speaking out against exploitative practices. The broader implication is a potential shift in power dynamics, where talent may begin to demand stricter contractual protections and standardized work hours. As these grievances gain public traction, production houses may face increased pressure from labor unions or regulatory bodies to reform their scheduling and payment processes to retain veteran talent and ensure the sustainability of the industry.

Conclusion

Sudhir Pandey’s candid interview acts as a catalyst for a necessary conversation regarding the ethics of show business. By highlighting the intersection of grueling physical demands and financial exploitation, he has underscored the need for a more transparent, humane, and efficient industry standard. Without structural reform, the television sector risks alienating the very individuals who have built its foundation over the last half-century.

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