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Hanuman Ansh’s rejection by OTTs showed their ‘mind is filled with garbage’: director

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The Indian Express

September 7, 2026
Hanuman Ansh’s rejection by OTTs showed their ‘mind is filled with garbage’: director

The low-budget devotional film 'Hanuman Ansh' is nearing the Rs 100 crore mark after 29 days, while 'Mirzapur: The Movie' has debuted with a massive Rs 30 crore opening. Both films are currently performing exceptionally well at the Indian box office despite different genres and production scales.

The Box Office Phenomenon: A Tale of Two Successes

The Indian box office is currently witnessing an intriguing trend characterized by the simultaneous success of a low-budget devotional drama and a high-profile franchise adaptation. The film Hanuman Ansh, directed by Vishal Chaturvedi and centered on the life of spiritual guru Neem Karoli Baba, has emerged as a surprise blockbuster. After 29 days in theaters, the film is on the precipice of reaching the Rs 100 crore milestone, a remarkable feat given its modest production budget of less than Rs 2 crore.

The Rise of Hanuman Ansh

Hanuman Ansh has defied conventional industry wisdom by achieving a return on investment of over 50 times its initial capital. Despite a mediocre opening, the film gained significant momentum, culminating in a record-breaking fifth weekend where it earned Rs 10 crore on its fifth Saturday alone. This performance is particularly noteworthy as it surpassed the fifth-week collections of several major big-budget productions. Industry data from Sacnilk indicates a robust 47% occupancy rate across 5,055 shows on its 29th day, proving that audience interest in faith-based content remains consistently high.

The Struggle Against Industry Skepticism

Director Vishal Chaturvedi has been vocal about the initial obstacles the film faced, specifically regarding distribution. He revealed that prior to its theatrical run, the project was rejected by multiple OTT platforms, with some representatives using derogatory language to dismiss the film's potential. Industry insiders had advised the team to avoid a theatrical release entirely, suggesting a direct-to-digital route to merely recoup costs. This rejection serves as a stark reminder of the disconnect that can exist between content creators and streaming platforms regarding the mass appeal of niche, culturally resonant narratives.

Mirzapur: The Movie Makes a Roaring Debut

Contrasting the slow-burn success of Hanuman Ansh is the explosive arrival of Mirzapur: The Movie. Adapting the immensely popular web series, the film features stars like Pankaj Tripathi, Ali Fazal, and Divyenndu. It opened with a massive Rs 24.75 crore net (Rs 29.70 crore gross) across 11,135 shows. This debut marks one of the most successful non-star-led openings in Bollywood history, validating the massive fan base cultivated by the original series and exceeding the pre-release projections of trade experts who estimated an opening in the range of Rs 18-20 crore.

Market Dynamics and Future Trends

Currently, both films are coexisting successfully in the marketplace. While Mirzapur: The Movie captures the urban, thriller-seeking demographic, Hanuman Ansh continues to draw audiences with its devotional appeal, even after the release of major competitors. The ability of Hanuman Ansh to maintain high occupancy levels while Mirzapur dominates the screens suggests a diverse appetite among Indian moviegoers. As Hanuman Ansh prepares for its international release, its trajectory will likely be studied as a case study for the viability of low-budget, high-concept regional cinema in the modern theatrical landscape.

Conclusion

The current box office climate demonstrates that neither high budgets nor established franchises are the sole determinants of commercial success. While Mirzapur: The Movie thrives on brand equity and star power, Hanuman Ansh has proven that strong content, coupled with a theatrical release, can overcome initial industry rejection and limited resources. As these films continue their runs, they highlight a vibrant, multifaceted era for the Indian film industry where diverse storytelling can flourish simultaneously.

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